Carol Schatz Papper

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Hung, New York City

I love blank space. To me, it speaks of luxury and potential rather than the absence of things. But is it possible that inside every minimalist there's a hidden maximalist? The trendy gallery wall (above) at the special exhibition, "Forever Young: Selections from the Joe Baio Collection of Photography," certainly called to mine.

The Joe Baio Collection was one of three special collections (also "A Time for Reflection" curated by Elton John and "All Power: Visual Legacies of the Black Panther Party" curated by Michelle Dunn Marsh) at The Photography Show presented by Aipad (April 5-8) held annually at Pier 94 in New York City. The premiere photo show featured fine art galleries, book dealers, publishers and photography organizations from all over the world in mostly spare and chic grey booths.

Joe Baio, however, opted to create the feeling of a luxe Manhattan townhouse inside the vast pier space. The collectors brought in large oriental rugs, plush sofas, and antique tables and painted display walls in dense red, cobalt and light blue hues. More than 200 photos of children and adolescents ranging from the 1850s to the present were hung in intricate and beautifully executed arrangements. 

Passionate maximalism ruled. People came, sat and stayed. Here,  the fine art of hanging lead to the even finer art of hanging out.